Shibboleth responds to the absence of sexually dissident bodies in institutional archives. Where non-normative sexualities are prosecuted, their historical traces are suppressed and erased. Under such circumstances, queer histories are possible only through speculation. Working with photography and 3D printing, I generate new archaeological artefacts by reworking vernacular nude self-portraits and existing museum objects. These new objects blur the lines between the historical, contemporary, extraordinary, and mundane.